. engaging with fiction is a species of imaginative activity, ~ not in the traditional and derogatory sense of 'the flight of fancy', but rather 5 in two more complex senses. First. moving freely among different groups of characters and across time. On the other hand, it may restrict itself spatially and temporally to the actions of a single character. Furthermore, a narration can I provide access not only to the 'objecOve' world of the story, but also to the r purely subjective. Engaging Characters: Fiction, Emotion, and the Cinema. Maintained and operated by. Sponsored by. About PhilPapers. General Editors: David Bourget (Western Ontario) David Chalmers (ANU, NYU) Area Editors: David Bourget Gwen Bradford Berit Brogaard. Murray Smith. Journal of Aesthetics and Art Criticism 57 (1):88-89 (1999) Abstract This article has no associated abstract. (fix it) Keywords No keywords specified (fix it) Categories Aesthetics (categorize this paper) DOI 10.2307/432073. On Not ‘Identifying’ with Philip Marlowe: Viewing Robert Montgomery’s Lady in the Lake through Murray Smith’s Engaging Characters. Added by Leah Anderst. globalgraffmag.wordpress.com; potential certification reach. To share this paper with the field, you must first certify it. Certifying a paper means declaring that it is a worthwhile contribution to the literature. Request PDF × Close Log In. Log In. Fiction, Emotion, and the Cinema by Murray Smith — Reviews, Discussion, Bookclubs, Lists. Thanks for telling us about the problem. Return to Book Page. “In and Out of Character” Murray Smith 2 In the preface to Philosophy, Black Film, Film Noir (hereafter, PBF) Dan Flory writes of the ‘rat’s nest of beliefs’ (xi) that underpin our viewing and experience of. Engaging Characters: Fiction, Emotion, and the Cinema - Murray Smith at Ciao. Rate Engaging Characters: Fiction, Emotion, and the Cinema - Murray Smith and help other consumers. Buy for £ 29.88 (27.02.16) Community Login. Reviews Loading more options. Shopping.
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